This article focuses on learning, performing, and recording Horatiu Radulescu's 1984 work Subconscious Wave, for guitar and pre-recorded digital sound

This article focuses on Horatiu Radulescu's 1984 

, for guitar and pre-recorded digital sound, a work that features on my 2019 solo CD recording 

, for Métier Records, alongside music by Tristan Murail, Christopher Fox, George Holloway and myself. The article places the work in the context of Radulescu's output, demonstrates how it displays the key aesthetic concepts that drive his music and shares my insights into the technical and interpretive aspects of preparing the piece for performance and recording. The article has been adapted from a lecture-recital given at the 2021 edition of the 21st Century Guitar Conference, which was hosted by the Faculty of Social Sciences and Humanities at the Universidade NOVA de Lisboa (NOVA FCSH), Portugal in March 2021.

You can watch the video version of this article here:

This article was also published in a full text version by 

 features on my album Refracted Resonance: